Interview 

The meaning of cardboard: WAMI (Yasseen Wami and Hashem Taeeh)

WAMI is an artistic partnership quite rare in Iraq. Yasseen Wami (b. 1973, Basra, Iraq) and Hashim Taeeh (b. 1948, Basra, Iraq) work together to make installations of furniture from new and used cardboard. The modest material and basic, minimalist style they prefer are entirely at odds with a popular taste in Iraq for gilded home furnishings.…
Interview 

Discovering Tintin in 70s Baghdad: Abdul Raheem Yassir

Abdul Raheem Yassir (b. 1951, Qadisiyah, Iraq), who took part in the Pavilion of Iraq commissioned by the Ruya Foundation for the 55th Venice Biennale, is widely regarded as one of the best political cartoonists now working in Iraq, responding to the absurdity of his circumstances with ironic humour and poignancy. His style is smart in…
Interview 

Dodging Car Bombs: Kadhim Nwir

The abstract canvases of Kadhim Nwir (b. 1967, Qadisiyah, Iraq), which were first exhibited at the Pavilion of Iraq at the 55th Venice Biennale, reflect urban life through a combination of distressed colour and graffiti-like drawing. Stencilled letters and numbers sometimes convey clear messages – “IRAQ”, “2003” – or they embody a meaning known only…
 

Film, love and dangerous liaisons: Hareth Al Homaam

Young filmmaker Hareth Al Homam (b.1987) took part in the Pavilion of Iraq at the 55th Venice Biennale. His short film, Buzz, exemplifies the stilted, mediated nature of communications between the sexes in modern Iraq in spite of the advent of social media. We follow the short story of a young man and a young woman…